Turner Atmospheric Sublime (Style-Only, Image-Conditioned)

Re-render this image as a J.M.W. Turner late oil painting from the British Romantic sublime, between 1835 and 1845, in the visual register of Rain Steam and Speed, Snow Storm Steamboat off a Harbour's Mouth, Norham Castle Sunrise, and The Fighting Temeraire. Atmosphere dominates everything, the nominal subject barely emerges from a vortex of light, mist, steam, sea spray, and weather. Paint handling: thick scumbled impasto of lead white and Naples yellow at the brightest light core, scraped down with the palette-knife handle to expose the under-painting, then re-glazed with thin transparent layers of yellow ochre, alizarin crimson, and indigo. Spiral or vortex composition pulling all elements toward a central blazing light source, often a low sun, often partially veiled. Edges everywhere dissolved into atmosphere, no hard contours, every form a suggestion. Palette dominated by hot light (lead white, Naples yellow, cadmium yellow, vermilion) against cool atmospheric darks (Prussian blue, indigo, raw umber), with no middle tones, the picture built on extremes of value. Linen canvas weave visible through thinnest passages, surface alternating between buttery thick paint and almost-bare ground. Source image elements partially visible, partially dissolved into the weather, the picture more about the light than the thing being lit. No on-canvas text, no signature visible, no studio mark, no frame. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.