Hopper American Solitude (Style-Only, Image-Conditioned)

Re-render this image as an Edward Hopper oil painting from the mature American Realist period, between 1927 and 1962, in the visual register of Nighthawks, Early Sunday Morning, Office in a Small City, and Morning Sun. Hard raking light from a single oblique source, either low morning sun or harsh fluorescent interior, casting clean unmodulated geometric shadow blocks. Architecture rendered with cold precision: flat clapboard walls, deep window recesses, hard horizontal cornices, the building itself an active presence. Palette restricted, slightly chalky: warm brick reds, sour mustard yellows, sage and pea greens, deep windowless blacks, cold steel-grey skies, one cadmium accent on a sign or dress. Brushwork tight and matte, no impasto, no painterly bravura, surfaces flat as a movie set. Figure or figures rendered impassive, faces unreadable or turned away, posture caught between actions, the body language refusing to explain itself. Cinematic American mid-century architectural vocabulary: diner counter, hotel room, gas station, office window, brownstone stoop, but the architecture supplies itself from the source image, do not invent. Composition deliberately empty, large quadrants of bare wall or empty pavement, the figure NEVER centered, always pushed to one third. Atmosphere of suspended narrative, something has just happened or is about to, the painter refuses to say which. No on-canvas text, no signage legible, no studio mark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.