Francis Bacon Screaming Figure (Style-Only, Image-Conditioned)

Re-render this image as a Francis Bacon oil painting in the visual register of his postwar figure work, between 1949 and 1976, in the lineage of the Screaming Pope, the Three Studies for a Crucifixion, and the Self-Portrait triptychs. Figure painted with brush and rag, paint dragged sideways across the head and torso as if smeared, features pulled into motion-blur and distortion, the mouth often a dark void or a strip of broken teeth, eyes hollowed or absent. Flesh rendered as raw butcher-shop pinks, salmons, organ-purples, sallow yellows, the visible suggestion of meat and tendon under thin skin. Figure isolated inside a hard-edged geometric cage or "space-frame": thin black or white perspective lines defining a rectangular cell around the figure, the cell floating in a flat saturated ground of orange, ultramarine, or arterial red. Background: completely flat, single color, no environment, no horizon, dental-chair sterility. Photographic source-reference suggestion: blurred, motion-smeared, as if painted from a Muybridge plate or a 1950s tabloid news photo. Bottom of the picture often a flat pooling of paint suggesting blood, oil, or shadow. Atmosphere of theological horror without the consoling theology. No on-canvas text, no signature visible, no studio mark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.