Beckmann Triptych Allegory

Re-render this image in the visual register of a Max Beckmann 1925 to 1937 painting, as if oil on canvas with the heavy black outline and compressed claustrophobic framing of his Frankfurt and Berlin period. Bound every form in a thick decisive black contour like a leaded stained-glass cell. Compress the picture-plane so figures and props jam against the foreground with almost no breathing room, foreshortening exaggerated to push everything forward. Surface is dense oil with visible scumbling, a slight gloss in dark passages and matte chalky color in midtones. Palette: jewel-tone interior with deep emerald, oxblood red, mustard, prussian blue, lemon yellow, ivory, all keyed up to high saturation against ink-black contour. Mood: cabaret-theatrical allegory of a civilization in moral free fall, sensual and ugly at once, the lighting of a private club that also resembles the lighting of an interrogation room. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.