DBZ Instant Transmission Vanish Afterimage

Re-render this image as a frame from Dragon Ball Z (Toei Animation, 1991-1995) Akira Toriyama character design, depicting the Instant Transmission vanish-frame at the moment of teleport-initiation. Subject standing upright with two fingers (index and middle) of one hand pressed to the forehead just above the brow, eyes closed in concentrated focus, other arm relaxed at side. Body shown in transition: the front-facing solid figure dissolves toward the trailing edge into a translucent ghosted-afterimage that fades to nothing across roughly a body-and-a-half of horizontal space, with the trailing afterimage rendered at 40-percent opacity and outlined in faint cel-ink. Faint distortion-warp shimmer in the air around the subject suggesting space-bending. Small ki sparks scattered in the air at the subject's silhouette edges. Background: simple environment (open field, arena floor, or rocky plateau) with a clean horizon, kept low-detail to make the vanish-effect the focal element, with subtle radial heat-shimmer where the subject is mid-displacement. Lighting: flat anime daylight from upper-front, no dramatic key, the visual emphasis is the dissolve not the lighting drama. Cel-animation linework: heavy confident Toriyama-school ink for the solid portion of the subject, progressively lighter and dashed ink for the afterimage trail, single-weight contour throughout. Color palette: clean primary anime colors on the solid subject, desaturated and translucent on the trail, neutral ambient background. Mood: the speed-register where the subject does not run the route, the subject skips the middle of the route entirely, the category-challenge to conventional locomotion where the fastest mover is the one who refuses the geometry. Composition leaves the trailing afterimage path open for caption insertion. No legible text, no logo, no watermark. Aspect ratio 16:9 matching source. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.