Kurt Schwitters Merz Detritus

Re-render this image in the visual register of a Kurt Schwitters Merz collage circa 1920 to 1923, as if the picture were built from the contents of one week of Hannover street sweepings. Layer the surface with tram tickets, used postage stamps with cancellation marks, fragments of cigarette packaging, candy wrappers gone soft, brown butcher paper, a torn fabric label, a square of newsprint, all glued onto stiff cardstock with visible wheat paste edges and small wrinkles. Palette is the warm muted spectrum of acid-burnt paper: ochre, tobacco brown, faded vermilion, cream, mustard, a single cool blue ticket. Apply the soft chalky quality of slightly foxed antique paper, with occasional smudges of black printer's ink and one or two pencil marks. Mood: tender, attentive salvage; the lyric dignity of garbage taken seriously. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.