Winsor McCay Nemo Art Nouveau Page

Render in the medium and register of Winsor McCay's Little Nemo in Slumberland Sunday newspaper pages (1905 through 1914 New York Herald and American period): dip-pen and India ink linework over pencil construction, hand-lettered border decoration in the art-nouveau ornamental tradition (NOT legible text, just decorative scroll-letter TEXTURE in the margins), printed on newsprint with the limited four-color Sunday-supplement process color palette (sky-blue, school-bus-yellow, brick-red, and process-black overlaying offset-misregistered dot patterns visible at the edges of color fills), linework rendered with extraordinary architectural precision (every column, every staircase, every dream-building drawn with one-point or two-point perspective held perfectly), the architecture itself impossibly elongated and ornate (art-nouveau organic curves, Beaux-Arts classical detail, Edwardian decorative excess), figures small relative to the dream-architecture surrounding them, palette flat and slightly chalky (newsprint absorbed color unevenly), composition strongly vertical with the eye guided up through the panel hierarchy, the visual register of the most virtuosic newspaper-comics craftsman of the early twentieth century, slight newsprint-yellowing and offset-misregistration around color edges, paper edges slightly foxed. Do not render legible on-canvas text, logos, watermarks, named hate-symbols, or any real person depicted defamatorily. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.