Charles Burns Clean Black Ink Dread

Render in the medium and register of Charles Burns's Black Hole and Last Look graphic novels: brush-and-ink work on Bristol board producing maximum-contrast pure-black against pure-white with no halftone, no gradient, no crosshatch, no gray (every value resolved to either solid black or solid white through deliberate negative-space construction), heavy black-ink masses balanced against equally-deliberate white-paper masses (the white is as composed as the black), contour lines drawn with a sable brush at perfectly uniform weight (the line itself has no character variation; uniformity is the formal commitment), no rendering inside the silhouette (modeling done by shape-design and contrast alone), palette either pure black-and-white only OR limited to two-color separation (black plus one flat spot color: oxblood-red, sick-green, or bruise-purple), figure design slightly idealized and clean (1950s-yearbook clean) until disrupted by a single body-horror detail (a wound, a growth, a wrong feature) that the clean line renders without flinching, the visual register of suburban American calm punctured by what the calm was hiding, no halftone, no zip-a-tone, no texture. Do not render legible on-canvas text, logos, watermarks, named hate-symbols, or any real person depicted defamatorily. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.