Robert Crumb Underground Comix Crosshatch

Render in the medium and register of Robert Crumb's underground-comix work (Zap Comix, Mr. Natural, Fritz the Cat period through the Weirdo years): dip-pen and India ink on Bristol board with later flat-color spot fills (or pure black-and-white linework with no color at all), linework built entirely of dense fine crosshatching and parallel-line shading in the manner of nineteenth-century engraving translated through 1960s American comics culture, every form modeled through hatch density not flat black, contour lines varied in weight (heavier on the shadow side, lighter on the lit side), figure proportions slightly exaggerated toward grotesque (legs slightly too long, feet slightly too large, jaws and cheeks slightly too prominent), facial expressions pushed past comic-naturalism into uncomfortable realism (every wrinkle, every body-flaw, every unflattering angle rendered), palette when color is present limited to comix-newsprint flat fills (sky-blue, brick-red, school-yellow, grass-green, flesh-pink) with no gradient and no rendering, panel feel of late-1960s San Francisco countercultural self-publishing, the visual register of an artist who refuses to flatter the subject, slight newsprint-yellowing of the implied substrate. Do not render legible on-canvas text, logos, watermarks, named hate-symbols, or any real person depicted defamatorily. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.