Herge Tintin Ligne-Claire Clean

Re-render this image as a comic book panel in the manner of Herge's "Tintin" albums (1929 to 1976, especially the mature 1950s-1960s era like "Tintin in Tibet," "The Castafiore Emerald," "Flight 714"), executed in ligne claire (clear line) discipline. Linework: uniform-weight black contour line applied with technical pen or fine brush, every object in frame outlined with the same single-line weight regardless of size, depth, or importance, no thickening at silhouette, no tapering, no decorative line variation, no cross-hatching, no halftones, no rendered shading inside contour. Color: flat color fill within each contour shape, applied as solid unmodulated areas with no gradient, no airbrush, no shading, a limited but bright printed palette (the Casterman/Casterman-album printed-color look) using clean reds, sky blues, yellow-ochres, white, black, with occasional second-color overlay tints for shadow areas. Composition: medium-distance staging that shows the whole subject and the whole setting clearly, characters drawn with caricatured-but-grounded proportions (slightly large head, simplified features, expressive eyes-and-mouth), backgrounds rendered with the same detail discipline as figures (every brick of a building outlined, every tile on a roof, every leaf-cluster), so the world feels equally weighted and inhabitable. Setting: 1950s-1960s travel-adventure locations (Tibetan mountain pass, Moroccan medina, ocean liner deck, jungle riverbank, European bourgeois interior, scientific laboratory), with the period-appropriate architecture and machinery rendered with documentary precision. Mood: bright optimism, mid-century European adventure, the world as a knowable surface available for exploration. Forbid: any speech bubble or caption or sound effect text on canvas, any rendering or shading inside contour, any digital airbrush, any modern photoreal style, any watermark. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.