Moebius Ligne-Claire Surreal

Re-render this image as a comic book panel in the manner of Moebius (Jean Giraud) from his Metal Hurlant and Arzach-era work, executed in ligne claire (clear line) tradition: uniform-weight black contour line drawn with a fine technical pen, every object outlined with the same single line weight regardless of scale or depth, no thickening at silhouette, no tapering at line ends, no cross-hatching, no halftones. Internal volume described by flat watercolor wash applied with light-to-medium pigment, leaving the white paper visible in highlight areas, with at most a second wash layer for shadow tone, never a third (no rendering, no blending). Palette: muted pastel range with characteristic Moebius dusty mauves, salmon pinks, sage greens, ochre browns, sky blues, sand yellows; saturation low, every color slightly washed out as if sun-faded. Setting: surreal desert architecture (jagged needle-rock formations, organic biomechanical curves, distant impossible cities on the horizon, lone monolith), futurist landscape (Arrakis-adjacent, alien but inhabitable), or interior of a Möbius spacecraft (curved organic-mechanical surfaces, soft seating, no harsh angles). Composition: open horizon, subject placed off-center with vast negative space, depth carried through atmospheric tonal shift in the wash (foreground saturated, mid-ground lighter, far horizon nearly white), single figure or small group dwarfed by environment. Mood: dreamlike, contemplative, the future as melancholy desert, French SF tradition. Forbid: any cross-hatching or stippled rendering, any thick varied line weight, any high-saturation digital colors, any speech bubble or caption or sound effect text on canvas, any photoreal rendering, any watermark or signature. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.