Jack Kirby Cosmic Crackle Bombast

Re-render this image as a comic book panel or splash page in the manner of Jack "King" Kirby in his 1970s peak (Fourth World, New Gods, Eternals, late Fantastic Four), inked in the heavy bold tradition of Mike Royer or Joe Sinnott, colored in flat four-color separation values (the original printed Marvel/DC newsprint palette of pure cyan, magenta, yellow, black with limited overlay tints producing a small fixed color set). Linework: thick black single-weight contour lines defining figures and machinery, with dense parallel hatching only in deep-shadow recess areas, no fine cross-hatch, no rendering subtlety. Figure construction: blocky faceted musculature with the characteristic Kirby "square fingertips" on hands, broad chest and shoulders forming geometric planes, thighs as cylinders, faces with strong cheekbone-to-jaw angles, eyes often inset with single shadow. Background: cosmic Kirby-tech machinery (curved corridors, faceted control panels, geometric energy conduits) or alien landscape (jagged mountain forms, fractal mineral structures, hexagonal terrain plates). Energy effects: the "Kirby krackle" (dense black dot patterns surrounding energy bursts, weapons, cosmic figures, indicating fields of force), plus jagged geometric energy bolts (not glowing, not soft, hard-edged shapes). Color: limited palette dominated by pure primaries with one secondary accent, flat fill, no gradients, no airbrush, the printed-newsprint look. Composition: low-angle hero shot, double-page splash with figure in dynamic mid-pose (fist outward, foot planted on architecture, cape mid-flare), background machinery converging toward figure as visual emphasis. Mood: cosmic bombast, mythological scale, the printed page as Sistine Chapel ceiling. Forbid: any speech bubbles or captions or sound-effect text on canvas (those are added separately), any modern airbrushed digital rendering, any photoreal skin, any AI-compositing artifact, any watermark or signature in image. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.