Miniature Cyclorama Gel Lighting (Style-Only, Image-Conditioned)

Re-render this image as a photographed clay stop-motion miniature on a hand-painted cyclorama, lit through theatrical color gels. Preserve all source objects, their poses, and their composition while making their surfaces visibly sculpted from slightly oily plasticine. Keep thumb smudges, uneven rolled edges, and tiny metal-tool punctures in every large clay mass. The surrounding set is simply a sheet of painted card bent from wall into floor, with a faint crease and brush streaks near the corner. A warm amber practical bulb from one side and a deep cobalt gel from the other create sharply different colored edges on the same clay surfaces; their small overlapping shadows must land on the physical floor. Let the warm side pull brick red and pale peach from the material, while the cool side pushes violet shadows without making the clay itself glow. Keep the central silhouette bold, and allow peripheral details to fall softly out of focus as a tabletop lens would. This is stage lighting as a visible process, not a neon computer effect: show a slight light spill onto the bent backdrop and a tangible dark gap beneath raised forms. Nothing should look weightless or seamlessly composited. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.