Fingerprinted Plasticine Puppet Stage (Style-Only, Image-Conditioned)

Re-render this image as a photographed, hand-molded plasticine stop-motion puppet tableau in the tactile tradition of Will Vinton. Every visible form must look pressed together by fingers, not generated from a smooth digital mesh: broad thumbprints on cheeks and broad surfaces, pinched seams around joints, tiny gouges left by a wooden sculpting tool, and uneven thickness at the silhouette. Use soft waxy clay with a slight oily sheen and matte flour-dusted patches, never glassy synthetic highlights. Build the background as a shallow tabletop miniature with creased painted card at the horizon and a few unmistakably handmade supports. Light the set with one warm practical lamp and a cooler side fill; let little contact shadows betray where pieces touch the floor. Preserve bold readable shapes at a glance. Choose warm ocher, tomato red, butter yellow, and deep blue-gray, allowing mixed colors to marble where kneaded together. This is a physical photographed object: visible frame-by-frame handling, specks of lint embedded in clay, imperfect pose-holding armature, slight depth-of-field falloff. Absolutely no CGI smoothness, 3D-render polish, procedural skin, airbrushed gradients, or spotless surfaces. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.