Gongbi Fine Line Botany (Style-Only, Image-Conditioned)

Re-render this image as a gongbi fine-line Chinese painting with the patient precision of Song-dynasty flower studies. Preserve the source forms and composition exactly, treating botanical anatomy as a model for close attention rather than adding plants to an unrelated subject. Lay a narrow, continuous carbon-ink contour around each important existing shape using a pointed brush held almost upright. Fill broad regions with multiple transparent layers of pale mineral green, soft ocher, and warm gray, allowing each layer to dry before the next so color deepens without opaque paint buildup. Reserve fine dry strokes for existing veins, folds, joints, or seams, always subordinate to bold readable outer silhouettes. Leave warm ivory xuan paper visible between adjacent forms and permit a slight hand-made wobble along the ink line; this is skilled handwork, not a vector trace. Keep secondary forms light enough that the source focal point remains unmistakable at 1024 square. Unlike xieyi freehand, the contour here should feel deliberate and sustained, with no splashed pools or fast expressive swipes. A faint paper grain and tiny variations in pigment density supply material life without muddying the image. Let attention, not ornamental complexity, determine the level of detail. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.