Ma Yuan One Corner Shore (Style-Only, Image-Conditioned)

Re-render this image as a Southern Song one-corner ink painting in the visual register of Ma Yuan. Keep the source subject and its geometry fixed. Concentrate the firmest brush marks around its existing focal cluster, then allow surrounding detail to dissolve into the natural cream of unmarked xuan paper without removing any essential source feature. Use an oblique, clipped-edge rhythm: a dark rocklike brush mass, a few angled branchlike dry strokes if their shapes exist in the source, and a wide open field that feels like air or water. Do not invent a shore, branch, or figure to fill a gap. Load a pointed brush with carbon ink and water; press for an abrupt black start, drag to reveal the paper grain, then lift into a hairline. Work almost entirely in black, smoky gray, and paper ivory. Diffuse the secondary planes with a single dilute wash; keep the focal contour hard enough to survive a small square preview. Make the open field active by preserving the tension between its boundary and the concentrated marks, not by adding decoration. Any source face or object remains identifiable beneath the sparse brush translation. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.