Fleischer 1930s Rubberhose Rotoscope (Style-Only, Image-Conditioned)

Re-render this image as a Fleischer Studios cel-animated frame from the pre-Hays-Code era, between 1930 and 1934, in the visual register of Betty Boop in Snow White (1933), Minnie the Moocher (1932), and the early Popeye shorts. Black-and-white silver-gelatin film aesthetic: high-contrast monochrome, dense blacks, bright whites, narrow tonal mid-range, the look of nitrate film stock projected through a tungsten bulb. Character animation: RUBBERHOSE limb construction (arms and legs as flexible noodles with no visible joints, ends in white-glove hands and round-bulb shoes), bouncy elastic motion, the body squashing and stretching at every step. Bold confident ink contour line of uniform weight, characters built on geometric primitives (circle head, oval body, sausage limbs). Background painted in deep grey gouache with heavy black shadow areas, urban environments rendered as Art Deco fever-dreams: skewed alleyways, melting tenement buildings, anthropomorphic furniture, the kitchen sink with eyes, the building leaning in to listen. Optional sequences: rotoscoped jazz performer (Cab Calloway, Louis Armstrong) traced over with eerie photographic accuracy in the middle of an otherwise cartoon scene, the realism uncanny. Mood: woozy, sexually charged, surreal, the cartoon pre-Code permission to be weird and adult, the city as an inebriated organism. Slight 35mm film grain, faint nitrate flicker, occasional scratch and dust artifact. 4:3 academy aspect ratio. No on-canvas text, no studio mark, no song-lyric subtitle, no English lettering hallucinated onto the frame. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.