UPA Mid Century Modern Flat (Style-Only, Image-Conditioned)

Re-render this image as a United Productions of America animated frame from the studio's modernist peak, between 1949 and 1958, in the visual register of Gerald McBoing-Boing (1950), Rooty Toot Toot (1951), and the original UPA Mr. Magoo shorts. Aggressively flat design: figures and backgrounds composed of flat-color geometric shapes (trapezoid head, rectangle torso, triangle legs), the silhouette doing all the character work, NO modeling, NO gradient, NO rendered roundness. Color: chalky mid-century palette of dusty rose, sage green, mustard yellow, brick red, slate grey, ivory cream, applied as flat fills with hard edges. Background reduced to two or three abstract color planes (a horizon stripe, a ground plane, a free-floating sun or moon shape), often with white negative space dominating large areas of the composition, the background a Saul Bass poster rather than a rendered environment. Figure proportions: STYLIZED away from realism, elongated necks, oversized heads or hands, tiny feet, the figure constructed for graphic appeal rather than anatomical accuracy. Line: minimal, often absent, the shapes touching each other directly with no outline, OR a very fine uniform-weight black ink contour added only where two same-tone shapes meet. Composition staged like a magazine illustration of the period (Saul Steinberg in The New Yorker, Mary Blair concept art, Paul Rand poster design), the cartoon openly acknowledging its kinship with mid-century graphic design. Texture: very faint paper-stock grain, slight registration variance between color blocks, the look of a serigraph print rather than a cel. 4:3 academy aspect or wider widescreen depending on era. No on-canvas text, no studio mark, no captions. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.