Grasset Botanical Pochoir Plate (Style-Only, Image-Conditioned)

Re-render this image as a botanical pochoir plate in the ornamental design register of Eugene Grasset, circa 1896 to 1905. Draw the source subject first in slender graphite-gray contours; then lay opaque gouache color through individually cut stencils, leaving slightly uneven pigment at each stencil edge. Simplify broad surfaces into flat planes of olive, indigo, ocher, dusty rose, and warm ivory. Surround the existing silhouette with a spare border of repeating ginkgo leaves and upright stems, arranged like a visual grammar with measured intervals rather than a wild garden. Echo one curve from the source in each leaf, so the border feels designed for this image rather than pasted on. Preserve the original perspective and the spacing among major forms. Slight stencil misalignment should show a hairline of bare paper in a few places; do not blur the subject or flood it with pattern. Suggest a plate printed on absorbent drawing stock, with pigment catching where the fibers rise. Keep large shapes bold enough to survive a small square preview. The result should feel instructional and sensuous at once, like a pattern study becoming a finished picture. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.