Dunand Eggshell Lacquer (Style-Only, Image-Conditioned)

Re-render this image as an interwar lacquer panel in the craft register of Jean Dunand. Keep the subject and every major spatial relationship recognizable, but divide its brightest visible areas into irregular pieces of pale eggshell pressed flush into a near-black lacquer ground. Build the ground in many thin hand-brushed coats, each cured and polished before the next, so its depth reads as a quiet pool rather than flat black paint. Arrange the pale pieces in broad grouped fields that follow the original contours: visible hairline cracks and slight differences in ivory tone, not a uniform digital mosaic. Let a few muted gold powder passages settle behind intermediate values, where soft light can find them without creating a metallic outline. At one edge, expose a shallow lacquer build-up and fine polishing haze; elsewhere the surface is silky, dense, and mirror-dark. Compose through large black reserves and concentrated pale forms so it reads at thumbnail size. Do not introduce a vessel, screen, animal motif, or freestanding decorative panel in place of the existing subject. The feeling is patient and nocturnal, with luminosity produced by innumerable small decisions rather than an added spotlight. Leave a calm, uncluttered band of negative space along the top or bottom edge where a title could sit. Strictly no on-canvas text, no legible lettering, no signature, no watermark, no logos. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering. Aspect ratio matches source.