Coil Occult Avant-Garde Esoteric (John Balance / Peter Christopherson Register)

Render the source image as a Coil album sleeve from the 1980s through early 1990s, in the visual register of Coil Love's Secret Domain, The Snow EP, Musick to Play in the Dark, and Queens of the Stone Age collaborative era, channeling John Balance and Peter Christopherson's occult-esoteric hand-drawn aesthetic. Source integrated into a dense visual field of: hand-drawn alchemical symbols, anatomical studies rendered in sepia ink, occult text fragments (illegible, just the mass of language as visual texture), watercolor washes of sickly violet, bilious green, medicinal brown, cadaver-grey, oxidized copper. Grimoire aesthetic dominance: the cover reads as a page from a forbidden manuscript, not a record cover pretending to be art. Subject either transformed into an anatomical form (viscera, bone, cellular structure rendered with unflinching detail) or positioned within a theological collage of religious iconography distorted through occult reinterpretation. NO beauty applied. The surface should be uncomfortable, deliberately ugly, the kind of image that rewards close looking but punishes casual viewing. Texture: ink on paper with visible watercolor blooms, sepia staining, hand-written notes in margins (illegible), the evidence of manual occult labor. Mood: grimoire-like, esoteric, wound-as-the-only-door, uncompromising, hostile to pleasure. Typography: band name rendered as part of the occult text mass, indistinguishable from the symbols, not a logo. Square 12-inch LP-jacket aspect ratio. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.