Pentagram Heavy Metal Dark Futurism (Bobby Liefeld / Darkside Register)

Render the source image as a Pentagram Records heavy metal album sleeve, circa 1975 to 1985, in the visual register of Black Sabbath Paranoid, Judas Priest British Steel, Slayer Show No Mercy, and Iron Maiden self-titled, channeling the darkside futurism of Bobby Liefeld's metal-era airbrush work. Palette: gunmetal grey, rust-orange, dead-black shadows, sickly yellow-green, blood crimson, acid silver. Subject transformed into a figure or shape constructed from machined metal parts, pistons, turbines, razor-edged geometry, or occult symbols rendered as chrome relief. Airbrush technique throughout, hard-edged chrome surfaces reflecting fractured light, no soft gradients, only mechanical highlights and deep shadow caverns. Background environment constructed from industrial machinery, inverted pentacles rendered as geometric frameworks, dystopian architecture, lightning forks cut in acid-white against black sky, chains, barbed geometries. Subject integrated into this machinery, not floating above it, a figure PART of the mechanism. Typography treatment: band name in distressed heavy gothic black-letter or custom metal-logo font, illegible as rendered but massively present, occupying the compositional weight of a second instrument. Material: ink on thick uncoated board with metallic overprints creating the chrome effect. Square 12-inch LP-jacket aspect ratio. Mood: fatalist, industrial, metal-is-not-protest-it-is-machinery-running-without-purpose, grit-and-fluorescent, deeply earnest and zero fun. No legible text beyond typographic mass, no bright colors, no hope, no airbrushed sky. Preserve the subject, pose, and composition of the source image exactly, change only the medium and rendering.